Award-winning poet and fiction writer Patricia Traxler is the author of four poetry collections: Naming the Fires, just out from Hanging Loose Press, Brooklyn, NY; Forbidden Words (University of Missouri); Blood Calendar (William Morrow); The Glass Woman (Hanging Loose Press); and a novel, Blood (St. Martin's), which was also published in several translations: Spanish (Emecé Editores), Swedish (Wahlström & Widstrand), and German (Droemersche Verlag/Knaur), as well as in an Ireland/UK edition (Piatkus). Blood was a best-seller in Latin America.
Born and raised in San Diego, California and one of eight children, Traxler was much influenced by her maternal grandmother, Nora Dunne, a poet from County Cork, Ireland, who lived with the family for several years during Traxler’s childhood.
"When I was a kid," she says, "I often saw Gran working on her poetry in a green clothbound ledger, and heard her around the house reciting poems like Shelley's 'To a Skylark,’ just for the delight she took in them, so I grew up seeing poetry as an ordinary and essential part of everyday life.”
A two-time Bunting Poetry Fellow at Radcliffe, Traxler also served as Hugo Poet at the University of Montana and Thurber Poet at Ohio State. She has lectured, read, or served as visiting writer at many other US universities, including the University of California, San Diego; Emerson College, Boston; Old Dominion University, Virginia; Westminster College, Salt Lake City; San Diego State University; Utah State University; and Kansas University, Lawrence.
"I like the inspiration and challenge of working as a writer in the community," says Traxler, a longtime resident of Kansas. "And although I love teaching aspiring young poets and fiction writers in a university setting, I guess it's not surprising that some of my most rewarding teaching experiences have come while working in the larger community with people of all ages and backgrounds."
Aside from her work with mainstream and gifted student populations at all academic levels, she has developed writing programs and projects for at-risk teens, deaf and hearing-impaired children, and learning-disabled students. She has also created grief workshops for adults and children, programs for cancer patients, survivors of domestic violence, residents of homeless shelters, and for mental-health patients and stroke patients in a hospital setting.
“These experiences have all enriched me,” she says, "in what they've revealed about the endless possibilities and complexities of human connection, as well as about the healing powers of writing."
Traxler has edited and published two regional history anthologies, Vintage and In Our Time, which collect the memories of people who came of age on the Great Plains between the years 1910 and 1975 (both published by Smoky Hill River Press).
She is a past recipient of Ploughshares' Cohen Award; Nimrod’s Pablo Neruda Award; The Writer's Voice of New York City Open Voice Award for Short Fiction; the Hackney Literary Award for Short Fiction; Radcliffe’s Presidential Discretionary Award; a Kansas Literary Fellowship; 1994 and '99 Poetry Society of America Writers Magazine/Emily Dickinson Award honors; the Alice Carter Award for Poetry from Kansas University; and the Georgia State University Award for Short Fiction. She is also a past Grand Prize winner of the International Imitation Hemingway Competition.
Traxler's poetry and fiction have appeared widely, including in The Nation, Slate, Agni, Ploughshares, The Boston Review, The Kenyon Review, Ms. Magazine, Hanging Loose, Tikkun, Glimmer Train, The American Voice, The Los Angeles Times Literary Supplement, The San Francisco Chronicle, New Letters, and Ted Kooser's American Life in Poetry newspaper column.
Her essays have appeared in Newsweek, The Daily Beast, and the anthologies Night Errands: How Poets Use Dreams (University of Pittsburgh Press), and Grandmothers: Granddaughters Remember (Syracuse University Press).
Her work has been included in numerous anthologies, including Best American Poetry (A.R. Ammons, ed.); A Handbook of Heartbreak (Robert Pinsky, ed.); A Ring of Words (Andrew Motion, ed.); Tangled Vines (L.Lifshin, ed.); e: the Emily Dickinson Award Anthology (Universities West); The Best of Bad Hemingway: Award Anthology (G. Piepenbrink, ed.); and special mention in the Pushcart Prize Anthology for her 7-poem sequence, "Finitudes," which originally appeared in New Letters.
Literary Agent: Gail Hochman, Brandt and Hochman Literary Agents, 1501 Broadway, New York, NY 10036